An appeal to document female bird song


When ornithologists hear a bird singing, they’re likely to assume it’s a male. But in many species, the females sing too – and a new commentary in The Auk: Ornithological Advances argues that a better understanding of these unappreciated female songs could lead to advances in many aspects of bird biology.

Authors Karan Odom of Cornell University and Lauryn Benedict of the University of Northern Colorado both discovered the world of female bird song through their own research. “I started studying California Towhees 17 years ago, and I was fascinated by the duet vocalisation given by females and males,” explained Benedict. “That led me to start looking for female song in other North American bird species, and I was surprised to learn that it was much more common than I expected. The reports of female song are buried in odd corners of the literature, but when you put them all together, you start to see some interesting patterns.”

It is a common misconception among professional ornithologists and birders alike that only male birds sing (Morten Scheller Jensen).

Though singing females were likely the norm among the ancestors of today’s songbirds, female song now is understudied and underrepresented in collections of bird sound recordings. This, say Odom and Benedict, may be the result of bias toward the world’s temperate regions – though more widespread in temperate species than many ornithologists appreciate, female song is most common among tropical birds. They argue that better documentation of in which species female song is present, as well as more detailed descriptions of female song structure and output, could improve our understanding of birds’ comparative physiology, neurobiology, behavioural ecology, evolution, and even conservation. Birds of conservation concern are often located and identified by song during surveys, and assumptions that all singing birds are male could mislead wildlife managers about the state of populations.

In their commentary, Odom and Benedict urge fellow ornithologists to spread the word that female birds sing, to share resources, and to disseminate their findings. You don’t need to be a professional ornithologist in order to help expand our knowledge of female song, either – Odom has created a website where any birder can upload their observations. “If you hear a bird singing, do not assume it’s a male,” she says. “If you observe a female bird singing, document it by uploading field notes, audio or video to the collections on our website, femalebirdsong.org. Make sure you indicate how you recognised the bird was female.”

“Odom and Benedict have written an excellent appeal to document and record more female bird song,” adds Leiden University’s Katharina Riebel, a former collaborator of Odom’s. “They rightly point out that the extent of female bird song has been starkly underestimated, as almost by default we assume that a singing bird must be the male of the species. As a consequence, we might have missed out many aspects and the dynamics of male and female vocal signalling in songbirds – clearly, there is still lots to discover! I am confident that ornithologists in the field can make substantial contributions toward these questions by sharing their observations and recordings, as I very much hope this article will encourage them to do.”

For more information, or to register your female song encounters, please visit femalebirdsong.org.



Odom, K J, and Benedict, L. 2018. A call to document female bird songs: applications for diverse fields. The Auk 135(2):314-325. https://doi.org/10.1642/AUK-17-183.1